Showing posts with label national. Show all posts
Showing posts with label national. Show all posts

Monday, 4 September 2017

Overnighting in Fortress Louisbourg

I'm still editing away at the Tall Ships 2017 images, so I thought I would post this first.

I recently had the opportunity to spend the night within the walls of Fortress Louisbourg, an option that Parks Canada only began offering within the last few years. We chose to stay in Lartigue House, but there were also four tents available within the courtyard of the King's Bastion. 

Lartigue House at dusk. These tents were left over from a previous function, and we didn't sleep in them.
Fortress Louisbourg typically closes at 5 PM daily, and staff usually leave by 5:30, so I personally have never had an opportunity to photograph the fort outside of normal hours. By spending the night, I was able to experience sunset, nighttime, and sunrise - and got to photograph all three.

Sunset viewed from the wall of the King's Bastion. The four tents available to campers can be seen in the background.
Most of the fortress's buildings are locked up after hours, but otherwise we had the run of the fortress, and I went where I pleased. The only real warning we received from staff was to not climb the walls outside of the normal walking paths, because of the 30 foot drop beyond. 

Sunset behind one of the cannon.
At this point mosquitoes made their presence known, and I had to edit quite a few black spots from these images, which I assume were insects because they thankfully don't appear in any of my images the following morning. 


Sunset behind the cannon of the King's Bastion. The nearer cannon was "fired" during demonstrations during the day.
Even once the sun had set, there were opportunities to photograph the fortress at dusk.


Wide-angle image of the fortress at dusk, with the seawall at left, Lartigue House in the centre, and the walls of the King's Bastion to the right.
After getting my fill of shooting at dusk, I retreated inside to avoid the mosquitoes for a while, and had dinner. The interior of Lartigue House is fairly spartan, from modern standards: we had two double beds upon which to sleep, some chairs, a washroom (without a shower, though we were told one will be added for next year), and a small kitchenette with a sink, small fridge, and microwave. The house had the added benefit of not being located right next to the clock tower, which sounded a bell every 15 minutes - we could hear it, but it didn't wake us up during the night. We were also provided with a Coleman stove for use outside if we wanted to do some cooking, and wood could be purchased for the fireplace outside.

Panorama of the interior, from the central room. The bathroom is to the far left, kitchen to the right (door hidden), and the sitting room in the centre. The two bedrooms are to the left and right of the sitting room. The upstairs of the house is used for storage, and is not accessible to visitors. 
Later that evening, I went back out with my camera for some more shooting. The mosquitoes had mercifully decided to pack it in for the night, and I wasn't bothered by them again.

The yard of Lartigue House. I lit the two tents with a single LED flashlight each, though I may have also painted the tent to the right with a third flashlight. The fortress was partially lit that night by the waxing gibbous moon visible in this shot.

The four tents in the courtyard of the King's Bastion. Only three were occupied that night - one party didn't show up - and the family in the tent to the left went to bed early. The brightly lit room to the left is the washroom available to campers.
Tent campers were provided with a tent for up to four people, a fireplace, and a Coleman stove among other things. All guests, in either tents or the house, needed to bring their own sleeping bags.

Another view of the King's Bastion building and courtyard. The yellow glow in the background is from the modern town of Louisbourg. I was lucky to have the Big Dipper well placed above and to the left of the clock tower. The waxing gibbous moon was not very bright, and this image took 30 seconds at ISO 640 and f/2.8 with my Zeiss Touit 12mm (18mm on an APS-C sensor) lens. I was fortunate the the moon wasn't bright enough to wash out the stars.

The moonlight was just enough for this image taken through the tunnel running through the King's Bastion building under the clock tower. Two cannon can be seen on the wall in the background.

This image is looking in the opposite direction, towards the town, and I used a flashlight to paint the clock tower. 

I took this while on my way back to the Lartigue House for the night. This shot looks down one of the streets to the main gate in the sea wall, and the Big Dipper makes a partial appearance in the top left.
Walking the empty streets of Louisbourg at night is an experience I won't soon forget.

I'm not a big fan of getting up early in the morning, but I felt compelled to try my luck the next day with the sunrise - and it was well worth it! After spending a few minutes scouting locations, I finally realized that one of the apps on my phone would provide me with the precise location of the rising sun, and I discovered that one of the streets in the town was perfectly aligned with the spot on the horizon where the sun made its appearance.

The sun rises between the buildings to the left of the image. I may have <cough> deleted <cough> an offending Parks Canada vehicle that appeared at the end of the street.

I really couldn't believe my luck with how well the sunrise lined up with this street.

It took almost every millimeter of my 12mm lens to fit in the entire King's Bastion building and still have room for the cannon and the rising sun. 


The rising sun captured from inside the tunnel through the King's Bastion building.


Once again, I needed my 12mm wide angle lens to capture the light of the rising sun washing over the King's Bastion building - and I ended up capturing my own shadow to boot. Oops. 

Another angle on the King's Bastion building. I had to erase one of the camper's vehicles from the left of the image.


Most of the yards within the town are fenced, and a number have farm animals in them.
I have not yet gone through my daylight images of the fortress, and I imagine they will result in a separate blog post once I have some time to edit them.

Monday, 23 May 2016

A Visit to the National Gallery of Canada

Aways a sucker for photographing impressive architecture, I made a point of heading to the National Gallery of Canada during a recent trip to Ottawa. Although I have photographed the exterior as recently as 2008, I hadn't been inside the building since about 1991. Some things were just as I remembered them.

In town for a wedding back in 2008, and staying at the nearby Chateau Laurier, I got up early one morning to get photos of the gallery in the morning light. This panorama was stitched together during post-processing.

A casting of Louise Bourgeois' sculpture Maman is in front of the museum. The glass tower framed by the spider encloses the Great Hall, with the Colonnade leading away to the right. If you look closely, the moon is making an appearance.
The interior is just as impressive. I'll start with some of the grand access hallways, ramps, and stairs. The National Gallery's website has a handy floor plan for reference.

Looking up in the main entrance hall.
After entering the building and paying your entrance fee, visitors are greeted by an impressive Colonnade that leads to the Great Hall. It occurs to me that I'm going to have to be careful not to over-use the word "impressive".

Looking up the Colonnade towards the Great Hall.

Vertical panorama looking from the Great Hall down the Colonnade towards the main entrance.

Closeup of the peaked glass roof over the Colonnade.
The Great Hall is an imp.... a towering hall supported by concrete and clad in a considerable amount of glass.

The Great Hall.
Looking straight up, the Great Hall looks like a kaleidoscope.
A stairway off of the Great Hall.

Stairway off the Great Hall.
Leading away from the Great Hall is another day-lit hallway that terminates at the Upper Rotunda.

Hallway to the Upper Rotunda.

Stairs to the Upper Rotunda. I placed the camera down low to get this angle on the "stairs", which are actually a series of ramps with a small rise between each. Not exactly wheelchair friendly, but there are elevators.

Looking back towards the Great Hall from the Upper Rotunda. I balanced the camera on the mirror-surfaced railing in order to get some reflections of the ceiling and skylight.
Another elegant stair is located off the end of the Upper Rotunda.

Other large open and day-lit spaces within the National Gallery include the Garden Court and the Water Court.

Garden Court.
Water Court.
One of the few things I remember from my visit in 1991 is the Water Court, which is kind of special. Under the centre of the water pool are 9 plexiglass panels that form the ceiling of the foyer below, from where you can look up through the panels to the skylight above.

The surface of the water pool in the Water Court.
Looking up from underneath the Water Court to the skylight above.
Being an art gallery, and aside from the architecture, there were of course some rooms filled with art. Some of these areas allow photography, while others do not. Flash photography, of course, is prohibited.

A hall in the International Art area. As I recall from many years ago, all the skylights have sun shades that open and close automatically during the day to prevent sun damage to the artwork on display.
A panorama in the International Art area.
A sculpture in the International Art area.
Whether you enjoy art or architecture, the National Gallery of Canada is well worth a visit.